26
members attended our meeting on 15th March and were
delighted to welcome award-winning
poet and Creative
Writing tutor, John
McCullough, who gave a stimulating and inspiring workshop on how to
write good modern poetry. First, we looked at how key elements, such
as rhythm, sound and repetition are used to imply emotion subtly, rather than
state it overtly. Then, in groups, we analysed and discussed two
contrasting but excellent modern poems, trying to tease out what made
them memorable and fresh. We were given a topic and did some
freewriting to 'unleash the strange thoughts at the back of our
brains' before trying to expand key lines into short poems. Some of
us were brave enough to read out our attempts and all received
encouraging constructive feedback from John. Finally, he outlined his
own creative process before reading out three of his own best known
poems. It was a fascinating and thought-provoking evening, and we all
feel more confident about having a go ourselves now.
Tuesday, 15 March 2016
Wednesday, 2 March 2016
'Given Phrase' Results - 29th February, 2016
On
29 February, we all gathered with bated breath to hear the results of
our first competition of the year, a 2000-word short story,
incorporating the 'given phrase', “and then the whispering
started”. The judge was acclaimed local writer Alexandra Benedict
(or A K Benedict), whose latest thriller, 'Jonathan Dark or the
Evidence of Ghosts', has recently been published by Orion and is
receiving excellent reviews. Alexandra gave us all encouraging and
constructive feedback, praising our work for its array of convincing
characters, fluid narrative, clear structure and deft use of
language. She also gave useful suggestions on how to improve our
stories, e.g. by making sure that titles grab a reader's attention,
that details are selected carefully, that well-worn phrases are
avoided and that endings are strong. Alexandra then announced the
four winners: in first place was Maddie Blake's 'The Song of the
Tree', praised for its authentic dialogue and atmosphere of mystery
and yearning. 'The Song's Sake', by Elizabeth Allen noted for its
beautiful and assonance-rich language, was second. Sarah Corrie's
brave and honest 'Shut Up You Bitch Or the Neighbours Will Hear You'
was third, and 'This Won't Last' by Jill Fricker, with its original
point of view, was fourth.
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